Alternative rock
Jonny Greenwood
Radiohead, 1993 to 2001
A board built for interruption rather than for tone. The ShredMaster is on for a few bars at a time and off the rest, and the Whammy is used for texture and noise rather than for playing melodies.
The chain
Shown in conventional signal order rather than the order the sources list them, so it reads the way it would be wired: guitar on the left, amp on the right.
- 1Drive / fuzzNo photo available
Marshall ShredMaster
Drive / fuzzA 90s high-gain box kicked in for the explosive sections and off again immediately.
Not stocked by any store we track
Search the site - 2Pitch / octaveNo photo available
DigiTech Whammy
Pitch / octaveUsed for noise, dive bombs and octave textures rather than as a harmoniser.
Not stocked by any store we track
Search the site - 3ModulationNo photo available
Demeter Tremulator
ModulationThe stuttering tremolo on the quieter, more mechanical parts.
Not stocked by any store we track
Search the site - 4ModulationNo photo available
Electro-Harmonix Small Stone
ModulationA phaser used wide and slow, closer to a warble than a sweep.
Not stocked by any store we track
Search the site
Documented on
Pablo Honey
album · 1993
- Creep
The three dead-stop chugs before the chorus are the ShredMaster arriving and nothing else.
The Bends
album · 1995
- Just
- My Iron Lung
- Planet Telex
OK Computer
album · 1997
- Paranoid Android
- Airbag
- Let Down
Editorial gear history, assembled from interviews, rig rundowns, live photography and liner notes. Jonny Greenwood is not affiliated with Gear Avail and nothing here is an endorsement. Rigs change between tours and between takes, so this one is scoped to 1993 to 2001 rather than presented as a career-long setup. In most cases what is documented is that a pedal was on the board during those sessions or that tour, not that it is audible on a specific bar of a specific take.